Since I came to New York City, I have always been interested in housing rights, housing justice, and homelessness issues. I guess this is related to my personal experiences: 1) the tedious rental processes I have been through many times; 2) the NYC civil court experience regarding a broker’s rental scheme. (Even though I won and got the Notice of Judgment from the court, I eventually failed to get my money back.); and 3) working experience for a real estate investment company and understanding the concept of the term “air rights.” (This is a counter-example to Locke’s philosophical argument about private property from nature by working on it.) All three experiences I listed above had not been my concern before, but here in NYC, the fact that I care about housing rights means that I am in a relatively vulnerable position as a tenant. The context where I stand impacts how I compose perspectives on a certain matter.
This idea for the final project, the Evicted Voices, comes from first-hand experience. First, I always pass through the Queensbridge Houses on my way home and witness the serious living conditions of the neighborhood all the time. Secondly, the idea came to me while doing mapping praxis for the class. I browsed NYC websites to collect data for the praxis assignment and visited the Mapping Equity project site. The site is accessible and provides a useful tool to compare various factors, but it lacks what I see in Queensbridge Houses: the streets, people’s looks, and the landscapes of the neighborhood. Therefore, the main purpose of the project is to fill the gap between data with unique voices and vivid stories of the people.
By researching related projects, such as Anti-Eviction Mapping Project, JustFix, and New Destiny Housing, I can refine the approaches and narrow down the scope of the project. First, I wanted to provide a philosophical basis for the project through which people can form a bond of sympathy and solidarity; thus, I came up with Levinas’ philosophical notion, the face of the Other. I thought his philosophy could function as a solid foundation for the project and also as an encouraging base for people’s participation. Most importantly, I think the project must belong to the people of Queensbridge Houses and be an open sphere where they gather their voices and step forward into collective action.
Writing and proposing a DH project is still an unfamiliar process, but I am sure what I struggle with now will impact how I approach a new field, DH.















